BEN OPIPARI
nothing but interviews with songwriters…
across a variety of genres, emphasizing indie, alt-country, and singer-songwriter (and some metal for good measure). I explore the songwriting process from beginning to end, from inspiration to revision.
Hi! I’m Ben Opipari. I started the site in 2010 because I was tired of reading interviews with songwriters addressing the same topics: What’s it like to work with [insert artist]? What’s your favorite city to play? Tell me a crazy tour story. How did you get your band name? Who are your influences?
I wanted a site that treated songwriters the same way we treat writers of any other genre like poetry, essays, or fiction: as writers, plain and simple.
My interest in songwriting comes from a love of words. I have a PhD in English Language and Literature. Besides my regular job here in Washington DC, I am a freelance writer, contributing primarily to the music sections and health sections of the Washington Post.
I've been around music all of my life. My father was a drummer in a band. I attended my first concert in 1973 when I was four: Loggins and Messina, with Jim Croce opening, at Pine Knob outside Detroit.
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I used to work in radio. I learned to read by asking my father to transcribe the lyrics to early Eagles, Traffic, and Chicago albums; I listened to them, the handwritten lyric sheet in front of me, with giant white headphones while the albums spun. I heard all those metaphors, like And they said you were gonna put me on the shelf, from "Already Gone" by the Eagles. It took me a while to figure that one out: I couldn't understand why anyone would put someone in a kitchen cabinet. And as fate would have it, I ended up interviewing the man who wrote that song.
I get requests and pitches daily for the site. With four young kids and a job that has me traveling over 100 nights a year, I have to be selective. Over time, the site has become a resource for songwriters, both amateur and professional. It's no longer a site for discovering new artists; instead, it showcases the songwriting process of established songwriters so that others can learn. That's the first criterion. The second is that it has to be someone I like, because it's a pretty awesome thrill to talk to the person who created a piece of art that has moved me so much. Sometimes, though, I interview people that I don't really listen to but that have a backstory or a process so compelling that I want to learn more about it.
Rebecca and Megan Lovell, the GRAMMY-winning sisters who compose Larkin Poe, are “serial idea keepers.” This means they don’t write every day. Instead, “we pull back on ideas until we are ready to write,” they say. This seasonal writing, as they and other songwriters like to call it, requires discipline: you have to resist the urge to write every day and only write during certain times. The advantage of this is that the words flow freely when it’s time to write.