For both Sarah Jarosz and Margaret Glaspy, the creative process doesn’t allow for much off time. Jarosz doesn’t write on tour: it’s where she collects her ideas. And when she gets home, that’s when she sifts through all those ideas. “Even if I’m not working on a song, I’m always checking into the creative process every day,” Jarosz told me. Glaspy’s process involves using improvisation as a part of her songwriting process, “acting like I know how the song is supposed to go,” she says
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